Articles

Heroin Use, Gender, and Affect in Rock Subcultures

By Jason Middleton

“Cello-and-Bow Thinking”: Baccherini’s Cello Sonata in Eb Minor...

By Elisabeth LeGuin

From the Fantastic to the Dangerously Real: Reading...

By John Brackett

John Brackett, University of Utah[1] A number of individuals offered helpful comments, criticisms, and suggestions on earlier versions of this essay. I would especially like to thank (in...

On Janáček and Obsession

By Paul Christiansen

Paul Christiansen, University of Southern Maine[1]This article is a much-expanded version of a paper entitled “Was Janáček Obsessed?” that I delivered at the musicology conference of the...

That Loving Feeling Meets the Danger Zone: Men,...

By Raphael Atlas

Echoes in the Valleys: A Social History of...

By Yubakar Raj Rajkarnikar and Paul Greene

The valleys of Nepal, like valleys anywhere, are echo chambers. Sounds that are made in a valley reverberate and echo, linger for a while, and mix together.[1]This...

Extermination Music Nights: Reanimating Toronto’s Lost Geographies in...

By Jeremy Strachan

We must develop a systematic intervention based on the complex factors of two components in perpetual interaction: the material environment of life and the behaviours which it...

How Gilles Apap’s New Cadenza Illuminates Mozart, via...

By Maiko Kawabata

According to a recent article by Alex Ross in the New Yorker, the once defunct art of classical improvisation is in revival mode; his emphasis was not the...

“I Forbid You to Like It:” The Smiths,...

By Stephen R. Millar

In May 2006, the newly elected leader of the British Conservative Party, David Cameron, appeared on BBC Radio 4’s Desert Island Disks, where guests are asked to choose...